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August 29 转:奥运开闭幕式竞标的背后 2005年3月,北京奥组委面向全球公开征集开闭幕式创意方案的工作正式启动,在历时3个月的征集中,共收到409份方案。在对应征创意方案进行认真公正评审后,北京奥组委确定了13个优秀方案进行现场陈述。这是一个集各方之智的过程,是一个为开闭幕式创意工作积累宝贵智力资源的过程。
奥运会开闭幕式创意方案征集活动采取了社会公开征集和定向征集相结合的方式,包括张艺谋、陈凯歌等导演都接到了奥组委的定向约请。此外还有北京歌华、北奥集团、中国对外文化集团、北京舞蹈学院、派格太和公司以及解放军艺术团创作策划核心组等总共11家定向征集单位。
2005年7月31日是北京奥运会开闭幕式创意方案征集截止日,北京奥运会开闭幕式创意方案的征集活动进行了三个月的时间,已经收到了几百件应征作品。不过按照中国人的习惯,最好的似乎总要留到最后,所以很多重量级的作品都不约而同地选择了截止日期的最后一天前来送交。在那一天,张艺谋、陈凯歌等导演委派代理人将应征方案送到了当时北京奥组委的办公地青蓝大厦。而其他大部分应征单位则是主要负责人亲自护送。
为保证征集活动的公开、公正、公平,征集活动截止后,北京奥组委请来了北京市长安公证处的公证员来全程监督应征方案的拆封和验证过程。 经过细致地检查,面向社会公开征集的有效作品一共有210件。北京奥组委组织各方面的专家对这210件作品进行了集中评审。法国ECA2公司以及歌华中演两家的方案最终一起进入下一轮。除此之外,11件定向征集来的作品将不经过专家们的评选直接晋级。这样,一共将有13家团队进入第二阶段的竞标。
2005年9月19日,13家创意方案团队被集中到宽沟进行陈述,这里远离市区环境宜人,当年北京的申办报告就是在这里完成的,这次又被选作开闭幕式创意方案的陈述地点。每家团队的陈述时间统一规定为50分钟,陈述的内容都是严格保密的。 13家应征团队可谓人才济济,只要看看他们的成员的履历表就足够让你咋舌。在经历两天的陈述后,13家创意团队最终只剩下了5家。 首先出现在宽沟的是崔健,他的出现让人多少有些意外,作为中国摇滚乐的旗帜性人物,崔健依然保持着自己的风格。他这次的身份是歌华中演竞标团队的主创人员,他为奥运会开闭幕式提出的创意可能不再会追求特立独行,而是去寻求一种更为共通的东西。根据抽签决定的顺序,当天第一个进行陈述的团队就是崔健所在的歌华中演。能从社会征集的汪洋大海中跃然而出实在不是件容易的事。这个团队的两个领衔人物,一个是崔健,另一个是北京人艺著名导演林兆华。 在第一家团队陈述的时候,第二家团队就已经按照规定的时间到达。解放军团队中的于建平是中国载人航天发射场的副总设计师,他将为解放军团队的创意方案提供强有力的技术支持。张继钢直到陈述前最后一点时间里还在思索着他们的方案,他这次是解放军艺术团创作策划核心组的主要陈述人。虽然他的千手观音曾经轰动一时,但是这一次他所面临的挑战无疑更为艰巨。 雅典残奥会闭幕式上,千手观音的惊艳让人记住了张继钢,而那场晚会的总导演伊文斯潘平这次也来到了宽沟,他是法国ECA2团队的主要陈述人。ECA2公司有包括埃菲尔铁塔千禧年焰火晚会、1998年法国世界杯的开幕式和雅典残奥会开闭幕式在内的许多著名作品,正是丰富的经验使得他们的方案受到评委的一致推崇,从210件社会征集作品中脱颖而出。 有陈维亚作为主陈述人的国家歌舞团、中央电视台和北奥公司联合团队。为陈述也是花了大力气,准备了各种模型以便更好地阐述自己的创意方案。对于这个团队的主陈述人陈维亚,我们也并不陌生,他导演过包括第21届大学生运动会、第10届全运会在内的多次大型体育演出。同时这个团队中还包括奥运开幕式资深导演伯奇,他曾经在多次奥运会上担任导演和制片人,1984年洛杉矶奥运会开幕式上的火箭人就是他的杰作,2000年悉尼奥运会和2006年都灵冬奥会他都担任了开幕式的总导演,伯奇也因此被称作奥运开幕式大师。 整合多方面优势,组成强大的联合团队,这是开闭幕式竞标过程中一个非常明显的特点。歌华集团的团队当中,有1996年亚特兰大奥运会和2002年盐湖城冬奥会开闭幕式的总制作人——米歇儿,同时还有著名导演李安。李安在2005年3月开闭幕式创意方案征集伊始,就由朋友牵线加入到歌华团队之中。创意之初李安忙于《断臂山》的后期制作和参评工作,只能通过电话和团队的其它主创人员沟通思路,而在2005年6月他也曾来到北京和大家共同工作。虽然有电影的大量事务工作缠身,李安还是为开闭幕式的创意方案投入了大量精力,包括制图、文案等等许多具体工作他都亲身参与。而且对于如何在特殊钢架结构的鸟巢体育场导演一场精彩演出,李安也是颇有心得。 第一天一共有8家团队进行了陈述,直到晚上十点才告一段落。第二天一早,首先进行陈述的是广东团队和中国对外文化集团。张艺谋和他的团队也早早到达。候场的时间,他还在和老搭档王朝歌、樊跃小声商议着。为了当天的陈述,张艺谋特意穿了一条印有北京奥运会标志的裤子,上衣仍旧选择他钟爱的红色。张艺谋团队的制作方——杰克摩顿公司的总裁路易斯也来到了陈述现场,可见杰克摩顿公司也并不满足于在雅典的成功。 张艺谋组织了强大的团队联合出击,而另一位大导演陈凯歌则是单打独斗。陈凯歌接受了奥组委的邀请,亲自手写了一套创意方案,陈述这天,他在妻子兼制片人陈红的陪同下向评委表达了自己的奥运情怀。 像陈凯歌这样独立组队前来应标的还有一个人,他就是旅美视觉艺术家蔡国强。蔡国强的专长是焰火表演,他最为国人所熟悉的作品就是2001年上海APEC会议期间的焰火表演。此次,蔡国强联合了一批旅居海外的华人艺术家一同参与了应征方案的制作。 13家团队各有各的高招,无论最终有没有被采用,所有创意方案的内容都是严格保密的。13个团队互相并不知道对方的底细。 2005年12月14号,北京奥组委主席刘淇在北京市委会议厅召集了一次开闭幕式工作动员会。而这次会议并没有邀请13家团队全部出席,在座的只有张艺谋和杰克-摩顿的联合团队,国家歌舞团、中央电视台和北奥集团的联合团队,歌华集团,解放军创作策划核心组,还有法国ECA2公司。而参加了第一轮陈述的陈凯歌、崔健等人并没有出现。之所以在13家当中挑出了这5家,不仅因为他们的创意更为出众,另外也是因为他们的方案从概念到制作实施的完整性。但是同时,也没有哪家的方案占有绝对优势。12月14号的这次会议上,奥组委就提出了下一阶段的修改方向。五家团队将在一个月后进行第二轮陈述,而没有进入第二轮陈述的人也并不是没有机会了。 开闭幕式方案征集工作从一开始的思路就是收集所有好的创意和高尖端的新技术,最终的结果也肯定是集体智慧的结晶,这也是几家创意团队的共识。张艺谋在这次会议之后要马上赶到云南丽江参加他的新片《千里走单骑》的首映式,而一个月的修改时间对他的团队来说无疑非常紧迫。 一个多月的时间很快就过去了,2006年1月24号,5家团队带着修改好的方案开始第二轮陈述。第二轮陈述仍然由北京奥组委主席刘淇主持,评委和第一轮相比又增加了残联、文化部和国家体育总局的几位领导。 第一家进行陈述的是张艺谋和杰克-摩顿的联合团队。张艺谋仍然穿上了他喜欢的红色上衣。张艺谋这次没有像第一轮陈述那样请他的搭档王朝歌代劳,而是自己对着大屏幕亲自讲解。他们所提交的方案对于开幕式的每一个细节都做了精心的设计。 歌华集团竞标团队的阵容非常强大,除了李安和林璎,还有1996年亚特兰大奥运会开闭幕式总制片人米歇尔、2004年雅典奥运会的灯光设计师鲍勃-迪金森,以及华文字库的发明人黄克俭等。而歌华团队的创意也得到了领导的一致认可。 第三家进行陈述的是国家歌舞团、中央电视台和北奥公司的联合团队,他们依然准备了第一次陈述时用到的模型道具,但是他们的方案已经做了重大的修改。主陈述人仍然是国家歌舞团的著名导演陈维亚。第一次陈述时他们的方案有13个段落,到第二次陈述已经精简成了6个,内容上也更加紧扣一个月前的动员会上确定的“文明、和谐”的主题思想。 接下来即将进行陈述的团队是法国ECA2公司,这家公司的负责人伊文斯-佩潘是雅典残奥会开闭幕式的总导演,他拥有众多大型表演的操作经验。佩潘曾经表示要为北京拿出全新的创意和技术,绝对会超出以往他的作品。而在他的陈述中,评委们也确实被一些新颖的技术手段所吸引。 当天最后一个进行陈述的是解放军创作策划核心组。总政治部歌舞团团长著名导演张继钢是解放军团队竞标方案的主要创作者,同时他也是方案的主陈述人。解放军团队的方案和第一次陈述相比也增加了一些新的亮点。好的创意想要变成现实还需要强有力的技术支持,解放军团队中有总装备部工程设计研究总院院长于建平,他是中国载人航天发射塔的副总设计师。他的出现也为解放军团队的创意方案增加了砝码。 第二轮陈述完毕,8名评委分别为五家团队打分。打分内容细化为22项。其中在中国传统文化元素这一项上,歌华集团的分数最高;当代风貌一项则是国家歌舞团、中央电视台和北奥公司的联合团队得分最高;在世界文化的表现上得分最高的是张艺谋的团队;而解放军团队在技术实施上分数最高。各家团队各有所长,最后把22项的分数相加,总分最高的是张艺谋的团队,解放军创作策划核心组名列第二,国家歌舞团、中央电视台和北奥公司的联合团队位列第三。 按照最终的评审结果,北京奥组委选择了前三名创意团队的核心骨干组成了导演组,张艺谋、张继刚、陈维亚被分别为总导演和副总导演。来自另外两个团队的于建平、路建康则被分别任命为技术制作组组长和制作总监。 开闭幕式工作团队的主要成员均来自各个竞标团队,没有进入第二轮陈述的焰火专家蔡国强,他被委以开幕式视觉总设计的重任。后来在2007年,和张艺谋有过合作经历的旅法音乐家陈其钢也加入到开闭幕式工作团队中来,担任音乐总监。 June 03 写给卡家的爸爸 - RQ Dear RQ,
期盼了很多次的这个最重要的日子,终于在今天不期而至了。
你在那里长长地叹了口气,我知道,今天晚上你真的可以睡得很安稳。
每次和你讨论到精疲力竭时,都会去翻看最喜欢的那部韩剧,
每次看却都会有不一样的感触。
年岁日增,历练渐多,反而越看重那些最本质的东西,
有时候,百转千回后,导演可能只是要表达看似最平淡的一句话,
大家都认为会失败,但是我们做到了!
我们真的做到了!
在那个地产老大怀疑的眼神下,
在知交密友鄙夷的目光中,
在一片注定会失败的声音中,
卡家就这样成长起来,
成为了这个市场的新宠,孕育着这块净土明天的辉煌。
这其中甘苦,唯三人自知。
每次看着你站在那里很有自信地激昂演说,
我就会想到那个很拽很傲的玩具东每次见面都会对你说,
我就是相信你这个人一定会成功,因为我就是觉得你 执着 坚持!
真的是,让人难以忍受的很拽很傲的玩具东说出来的话,
还有很闲很创意的Raffel,很Nice很专业的星星贺,很胖很有趣的蒋老师,很假很丑陋的Cosmo……
每个人的特色都可以写成一个故事,
每个人都代表着卡家一段含辛茹苦的里程,
而他们都愿意汇聚到卡家,来和我们携手共筑卡家,
我们都知道,这是你和你引导的团队赋予卡家的魅力。
你偶尔会拿雷老虎那句“以德服人”来和我开玩笑,
我知道,其实你赋予卡家的,就是你的魅力--
以智服人。
如果只是聪明,那成不了什么大事,
愿意动脑去接触,愿意动脑来思考,愿意动脑去钻研,
愿意动手去实践,愿意动手去尝试,愿意动手去改变。
所以,今天卡家走到这里,
从一个人变到一群人,从懵懵懂懂到三思后行,从默默无闻到崭露头角,
卡家没有变的是激情,是活力,是敢想敢做。
更重要的是,
因为你始终在对我们的卡家说,
知行合一。
搬家后一片天翻地覆,但是那个小纸条始终放在卡家的桌面上,
“梦想,勇气,希望”,
原来三年前你就已经为卡家定下了飞翔的基调。
这也是卡家能够在众多的小M中脱颖而出的根源,
不动脑只会做事的小M是傻子,
只动脑不做事的小M是呆子, 幸好你老是教导卡家说,
用魅力的外表,
最聪慧的内心,
最灵敏的头脑,
以直达人心的方式让每一个人都喜欢你,并把你带给更多的人。
我想这也是你吸引团队里每个人的地方。
Dear RQ,
窗口的薰衣草正展枝怒放,
一切都在翻开新的一页。
卡家在家门口等待着,你和它一起创世纪。
April 13 给我们他将是你的新郎
从今以后他就是你一生的伴 他的一切都将和你紧密相关 福和祸都要同当 她将是你的新娘 她是别人用心托付在你手上 你要用你一生加倍照顾对待 苦或喜都要同享 一定是特别的缘份 才可以一路走来变成了一家人 他多爱你几分 你多还他几分 找幸福的可能 从此不再是一个人 要处处时时想着念的都是"我们" 你付出了几分 爱就圆满了几分 很喜欢这首歌,张宇的曲,十一郎的词,今天突然看到歌词,就直觉是写的是歌者自己,更甚都能想象是张宇和十一郎在携手参加的一个好朋友的婚礼上,深情吟唱。
所以,偶尔拾得,送给我们,也送给那些相信你们爱情的爱人们。 April 02 望见彩虹,拥抱阳光March 22 Be Salma, Be yourself brand ……………… (Digest from Bund Picture)
在好莱坞树立“拉丁品牌”
24 岁那年,英语尚不流利的她,带着小女孩才有的焦虑和恐惧,以及对名利场天真的憧憬,只身来到洛杉矶打拼,结果却开始了一段最难熬的岁月——白天学习表演,晚上在电视节目里跑龙套,可接到的角色不是妓女就是女佣。这种生活状态持续了好几年。 1992 年,在一个西班牙语夜间脱口秀节目中跑龙套时,她的不满情绪突然爆发,当众发表演说道:“美国的电影导演根本不愿找拉丁女人当主角,像我们这样的演员,就只配演情妇或者脱衣舞女。可是你们等着瞧,我会改变这种局面的!”导演罗伯特?罗德里格兹和他的制片人太太碰巧看到了这档节目,对这个有点傲气的墨西哥女孩一见难忘。海耶克终于等到了第一个像样的大银幕角色——在罗德里格兹执导的《杀手悲歌》中与“拉丁情人”安东尼奥?班德拉斯演对手戏。 在之后5 年里,野心勃勃的海耶克在好莱坞遍地撒网式地争取机会,接连与乔治·克鲁尼、马修·佩里、马特·戴蒙、克里斯·洛克、拉塞尔·克罗、威尔·史密斯等如今的一线明星搭档,然而红的永远是她的对手男演员。她并没有因此气馁,90 年代末,她创办了名为Ventanazul 的制片公司。谈及此,海耶克说:“与其说我是想凭此拍出一部好电影,不如说我是想树立一个品牌——我希望拉丁世界的人们都能为这个品牌骄傲,希望全世界都能兴奋地期待我们未来的作品。”这家制片公司投拍的墨西哥电影《没人写信给上校》 ,不但入围了当年的戛纳电影节,还获得了奥斯卡最佳外语片提名。 使海耶克获得主流电影圈认可的还是《弗里达》。这部墨西哥女画家弗里达?卡洛的传记片令她获得了奥斯卡影后提名,更让不爱动脑的美国观众终于记住了这个名字:萨尔玛?海耶克。她的火辣秉性和事业野心,像极了这位才华横溢但是性格偏执的女画家;她精彩的表演更让身高不到一米六的墨西哥女子弗里达?卡洛在大家心目中显得异常高大。 “《丑女贝蒂》是一座桥梁” 尽管光环终于罩上了她,海耶克仍然相信努力工作才是王道,《时代》周刊曾这样评价她:“你注意到萨尔玛,可能是因为她惊人的身体曲线;而好莱坞注意到她,是因为她始终像苦力一样工作着。” 《弗里达》之后,尽管出演了几部票房不错的好莱坞影片,海耶克的名字却渐渐淡出人们的视线。就在人们开始怀疑她的明星之路是否开始走下坡路时,她漂亮地打了一个翻身仗。这一次,她的身份并不是演员。2006 年,一部名为《丑女贝蒂》的剧集在ABC 电视台播出,以黑马之姿成为同类电视剧的收视冠军。大家注意到剧集的制片人一栏出现了一个熟悉的名字——萨尔玛·海耶克。她慧眼独具,将同名墨西哥肥皂剧的改编版权买下,把故事背景搬到灯红酒绿的时尚之都纽约,“丑女贝蒂”的美丽神话就此诞生。该剧还屡屡在金球奖和艾美奖的颁奖典礼上收获奖杯。 当然,只是在幕后指点乾坤,海耶克自然不过瘾。她先是翻出了早年自己在墨西哥出演的肥皂剧,在《丑女贝蒂》中玩了一把“戏中戏”,后来干脆亲自上阵出演了一位女性杂志主编;同时施展性感攻略,将那位花花公子的老板迷得七荤八素。“这个角色是个意外,可不是专为我写的。”海耶克说,“编剧建议我们在剧中为男主角安排一个爱慕对象,于是我马上毛遂自荐,‘我来演吧。’我那时想,反正我天天都得到剧组报到,闲着也是闲着,不如走到镜头前客串几集。” 难能可贵的是,凭借墨西哥裔“丑女贝蒂”在白人统治的美国时尚界苦苦打拼的故事,海耶克首次成功地让广大美国观众认同了拉丁移民的生活和文化,她说,《丑女贝蒂》是“一座桥梁”。很明显,多年前她那个要让拉丁世界为之骄傲的承诺正在一点点成为现实。不过,海耶克对现实并不过分乐观,“过去5 年里,活跃在影坛的一线女星中,有拉丁血统的只有我和詹妮弗?洛佩兹。要是好莱坞对外来者当真如此大度,肯定早有新人冒出来了。” 现在,除了事业如意,海耶克的爱情生活也开花结果——她和亿万富商男友弗朗索瓦- 昂利·皮诺前不久被《In Touch》周刊评为好莱坞最富有的明星情侣。去年9 月,海耶克生下女儿瓦伦蒂娜,从此,她的生活中又多了一个重心。“我承认,其实我更想要个儿子。可能因为我害怕,我觉得男孩子将来所要经历的痛苦比女孩子少些;而且母女之间总免不了争吵。”不过,看到小瓦伦蒂娜的可爱模样,初为人母的她马上就心软了,“生个女儿我也很高兴。她的一切都那么讨人喜欢,将来,我才不会跟她争吵呢!” March 18 Have you ever been to yourself? I'VE NEVER BEEN TO ME
By Charlene
Hey lady, you lady, cursing at your life 嘿,女士,你好像对自己的生命充满怨恨 You're a discontented mother and a regimented wife 你可能是一位个不满现实的母亲,是一个失去自由的妻子 I've no doubt you dream about the things you'll never do 我相信,你可能还梦想着那些你永远无法做的事 But I wish someone had talked to me like I wanna talk to you 但我真希望有人曾经对我说过,现在我想告诉你的事 Oh, I've been to Georgia and California and anywhere I could run 我曾到过乔治亚、到过加州,还有任何我梦想的地方 I took the hand of a preacher man and we made love in the sun 我牵过一个神职绅士的手,一起在阳光下缠绵 But I ran out of places and friendly faces because I had to be free 但如今我已无家可归、也没有朋友,只因为当初我追求所谓的自由 I've been to paradise but I've never been to me 我曾经到过天堂,但我从未找到过真实的自我 Please lady, please lady, don't just walk away 女士,请你别就这样走开 'Cause I have this need to tell you why I'm all alone today 因为我希望能告诉你,为什么今天我会如此孤独 I can see so much of me still living in your eyes 我可以在你的眼中看到太多过去的我 Won't you share a part of a weary heart that has lived a million lies.... 可否请你分享一些我曾经那活在千万谎言中的疲倦心情 Oh, I've been to Niece and the Isle of Greece while I've sipped champagne on a yacht 我去过美丽的尼斯,漂亮的希腊岛屿,曾坐在游艇上啜饮着香槟 I've moved like Harlow in Monte Carlo and showed 'em what I've got 我曾像是珍哈露般的款摆在蒙地卡罗,秀着我的拥有 I've been undressed by kings and I've seen some things that a woman ain't supposed to see 我曾被王侯宽衣解带,见识过好些一般女人所看不到的世面 I've been to paradise, but I've never been to me 我曾经到过天堂,但我从未找到过真实的自我 [Spoken] (口白) Hey, you know what paradise is? It's a lie 所以,你知道天堂是什么?那是个谎言 A fantasy we create about people and places as we'd like them to be 一种我们创造出来,所有人和所有地方都尽如我们期望的幻想 But you know what truth is? 但你知道真实是什么吗? It's that little baby you're holding 那就是那个你怀抱中可爱的小宝宝 It's that man you fought with this morning 那就是那个今天早上你跟他吵架 The same one you're going to make love with tonight 而今晚又将与他缠绵的同一个男人 That's truth, that's love 那就是真实的生活,那就是爱 Sometimes I've been to crying for unborn children that might have made me complete 有时候我曾经为了那我从未生过、可以让我成为完整女人的孩子而哭泣 But I took the sweet life, I never knew I'd be bitter from the sweet 但我选择了当时看来所谓甜蜜的生活,我从不知道有一天我会由甜转为苦 I've spent my life exploring the subtle whoring that costs too much to be free 我曾浪费我的生命,探索着那种让我付出太高代价的的自由生活 Hey lady, I've been to paradise, but I've never been to me 所以,女士,我想让你知道,我曾经到过天堂,但我从未找到过真实的自我 最近一直在听的一首歌,一个昙花一现的女歌手用她独特的嗓音,沧桑的气韵演绎了这首歌。听了黄莺莺的版本,也听了SHE的版本,但是似乎都缺少了此中韵味。或许这位此生只唯一一首经典传唱曲的Charlene用她神秘的经历也唱出了歌中涵义。 February 18 你侬我侬- Happy ValentineAugust 10 Digest 孩子把玩具当朋友,成人把朋友当玩具。
有的大人物使每个人觉得自己渺小,但真正的大人物使每个人都觉得自己伟大。
Thanks Elims for the above word. June 28 I Could be the ONE
June 04 工作疯狂,恋爱痴狂-Work Crazy,Love Crazy (一)墨迹-真实的痕迹
刚看到你喜欢的那个曾子墨在《墨迹》的第三章结尾处写到:
“整整6个月,没有休息过一天。疲惫、压力、饥饿、无奈……所有的身体透支都集中在那一刻爆发了。”
我很想对你说,在刚过去的烽火五月天,我也是这样的。
可是,亲爱的,你没有看到的是她的埋怨,她的苦闷,她的泪水。
那些坚强面对的情节,从来都只是表面阿。
然后,第四章开始,她终于写到:
“那时候,我终于明白了人的记忆是有选择的。在即将告别纽约、和同事们说再见的时候,所有的苦和累似乎都烟消云散了。几天几夜不能睡觉的挣扎,还有每天下午必定如约而至的剧烈头痛,仿佛都从我的记忆里消失了,留下的只有那些激动人心的美丽片断。”
这段是全书中我最喜欢的。这才是最真实的记忆。
刻骨铭心的痛苦永远选择遗忘,
热泪盈眶的高潮永远希望铭记。
(二)Crazy-真实的爱恨
所以跳进脑子里的题目首先就是“Work Crazy”。
然后是你,想到了因为一个月的熬夜加班而病倒时,你Play itune到“很爱很爱你”。
一直就不怎么喜欢刘若英,
一个女人何必要在伪装坚强的同时又不断流露出很多悲伤和无奈,
何必要勇敢让位祝他幸福的同时又唱尽无数的不舍和依恋。
你要知道,亲爱的,那都不是我的风格。
我会在一月不见后, 很直白地对你说,
有些人总是很变态,因为那个“我不入地狱,谁入地狱”的心,愿意备受煎熬。
在皓日当空的五月天,拖着一只扭伤的脚,一副疲惫的身躯,
没日没夜地奔波在成都,广州,上海那些城郊的马路上,
蓬头垢面地游走于供应商,场地方,千人观众的身影中。
大半个月里晒完太阳,晒月亮和星星,
大半个月里风风雨雨,坎坎坷坷,
走出来的原来是个娇小纤瘦的文弱女子,
前所未有地黝黑,前所未有地清瘦。
然后在一个月后,坐到你面前。
你只是静静地看着我,
没有继续鼓励说,炼狱之后肯定“立地成佛”。 所有的痛,所有的悲,所有所有,
因你对我说的那句话而烟消云散。
你说,你好心疼。
我坐在那里,傻傻地,傻傻地,心里一片温暖,一片感动。
因为爱而痴狂,我们的爱从来就如我喜欢的风格:简洁明亮。
因为工作而疯狂,我们的事业应该Keep trying, everything will be better!
发疯一样地工作,发疯一样地享受。这是很特定的环境造成的。
撰此小文--
献给我的Honeyhoney,
也献给我亲爱的Shunya Saab Performance Team的可爱女生,坚强战友们!
Alinna
写于2007 Saab Performance Show 结束后的一个礼拜 April 07 'You've got to find what you love,'- Steve JobsThis is the text of the Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, delivered on June 12, 2005. I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I've ever gotten to a college graduation. Today I want to tell you three stories from my life. That's it. No big deal. Just three stories. The first story is about connecting the dots. I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out? It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him?" They said: "Of course." My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college. And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting. It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later. Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life. My second story is about love and loss. I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating. I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over. I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life. During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I retuned to Apple, and the technology we developed at NeXT is at the heart of Apple's current renaissance. And Laurene and I have a wonderful family together. I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don't settle. My third story is about death. When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something. Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor's code for prepare to die. It means to try to tell your kids everything you thought you'd have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes. I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I'm fine now. This was the closest I've been to facing death, and I hope its the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept: No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true. Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary. When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions. Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you. Stay Hungry. Stay Foolish. Thank you all very much. Steve Jobs说,你得找出你爱的 (You've got to find what you love.)。 March 19 给自己的情歌 痛也是合情合理 你要慢慢原谅你 你要日后成大器 灰灰的天都要撑起 谁可善待你 由自己的嘴巴 和自己讲一声要争气 明知爱太受罪 你若豁得出去 年老便有些恋爱花絮 让你内心永远少女 那怕会再度被情连累 甚至快乐地顽强面对 February 08 2006上海快速消费品排行榜(转) 转贴过来,给大家买日用品,做个参考:)还有给做FMCG的朋友,做个竞品参考,赫赫
2006上海快速消费品排行榜
茶饮料:统一29.7% 康师傅20.9% 雀巢8.3% 瓶装水:农夫山泉34.4% 雀巢18.0% 碧纯6.5% 乐百氏4.1% 霖碧4.0% 汽水:雪碧56.9% 美年达14.3% 七喜11.3% 可乐型碳酸饮料:可口可乐48.7% 百事可乐46.9% 功能饮料(运动型):脉动32.5% 佳得乐22.0% 维体18.9% 盐汽水:延中53.2% 雪菲力16.5% 碧纯13.7% 正广和4.9% 市中2.7% 含乳饮料:蒙牛31.7% 椰树15.6% 娃哈哈15.0% 乳酸菌饮料:养乐多38.0% 味全29.7% 光明14.8% 功能饮料(能量型):力保健46.4% 红牛43.8% 雀巢能量E 6.1% 果蔬饮料:美汁源30.6% 康师傅17.2% 统一9.9% 保健酒:椰岛53.3% 致中和13.9% 劲酒10.7% 华佗5.7% 朗力福4.7% 黄酒:和酒28.4% 金枫7.4% 绍礼2.6% 古越龙山2.5% 君再来1.9% 葡萄酒:王朝25.8% 张裕12.8% 皇轩7.5% 长城7.3% 加州乐事1.3% 中国酒:五粮液23.6% 剑南春11.7% 茅台8.2% 包装大米:乐惠14.6% 梅河9.0% 福临门2.8% 好食家2.0% 天下粮仓1.2% 挂面:味都27.6% 顶味18.3% 味千13.8% 食用油:海狮33.0% 金龙鱼18.7% 元宝8.4% 玉米油:融氏42.6% 金龙鱼21.1% 海狮15.8% 味精:双桥40.1% 佛手20.2% 太太乐16.2% 鸡精:太太乐68.3% 家乐13.2% 佛手5.0% 食用糖:玉棠37.2% 正北5.2% 美峰4.4% 调味粉:味好美49.5% 唯加12.8% 太太乐3.1% 酱油:海天41.1% 淘大16.2% 欣和六月鲜6.9% 麻油:三添39.1% 淘大14.8% 龙溪6.9% 五福5.5% 醋:宝鼎天鱼28.4% 北固山14.6% 恒顺3.0% 糟卤:宝鼎天鱼49.8% 状元楼12.7% 老大同7.6% 糟醉:一只鼎39.3% 邵万生20.6% 阿竹17.7% 蜂产品:冠生园54.2% 蜂博士2.8% 鸿香1.6% 干果: 天喔12.6% 阿明10.3% 百味林9.6% 康辉3.9% 老城隍庙2.1% 瓜子:洽洽29.5% 阿明14.6% 张二嘎10.5% 八宝粥:梅林真的32.0% 华元19.4% 娃哈哈14.6% 麦片:超级19.5% 早早麦14.7% 皇室12.3% 休闲鱼(肉)制品:立丰17.9% 小辣椒14.0% 天喔8.6% 阿明4.7% 正一品3.1% 蜜饯:华味亨13.7% 天喔11.1% 康辉6.6% 曲奇 蓝罐41.7% 统泰8.1% 趣多多6.3% 功能糖果:荷氏39.8% 曼妥思7.5% 天明5.5% 糖果:大白兔19.3% 悠哈12.1% 阿尔卑斯11.8% 喜糖:诗蒂29.3% 德芙22.4% 阿尔卑斯16.7% 巧克力:德芙51.3% 吉百利4.7% 申丰2.2% 申浦2.2% 百诺1.8% 液态奶:光明48.4% 蒙牛33.7% 伊利9.0% 酸奶:光明41.4% 达能18.6% 味全13.9% 维维天山雪3.9% 奶粉:雀巢27.3% 光明18.5% 三鹿10.2% 安怡8.0% 豆奶粉:维维59.5% 多力13.1% 雅士利5.7% 婴幼儿奶粉:多美滋34.0% 雅培14.6% 惠氏13.3% 美赞臣9.9% 贝因美3.2% 奶酪:光明40.3% 百吉福9.6% 总统6.9% 冷饮:和路雪44.7% 光明16.5% 雀巢12.4% 洋参类保健品:万基26.3% 康富来19.5% 金日15.3% 神象8.3% 速冻调理品:龙凤17.0% 湾仔码头14.6% 思念10.4% 三全8.7% 苏阿姨3.4% 日冷2.3% 冷冻副食品:爱森21.0% 大江9.9% 五丰上食6.9% 粉丝:美峰10.6% 谷欣9.2% 雄峰5.7% 罐头:梅林54.4% 鹰金钱9.0% 粤花4.5% 龟苓膏:致中和40.1% 绿芙蓉27.4% 福高堂7.5% 中国茶:汪满田13.5% 西湖7.5% 真腾6.7% 南北货:闽龙达8.9% 雄峰8.1% 早康6.5% (数据为以销售额计算的市场占有率) January 18 初尝广告 -- 写在做广告的五个月后 初尝广告
走到这个公司,看到了更全的行业特征,
应该说,这个公司,这个大行业,是走在这个大上海,大中国的前端的。 依旧是观控全局,策略先行,创意当前。 走入这个集团,更深入了传播的大圈子, 少了灯红酒绿,少了逢迎笑脸, 广告的大门在我这个初学者面前开了一扇窗。 特别喜欢要提大案子的前夕, CD们的讨论绝对会让你回味无穷。 毒品要降价是有缜密的逻辑思维的, 背后的力量是有独特的逻辑视角的, 家庭暴力是有与众不同的表现视角的。 多了思考,多了对定位的分析, 更多了对传播的思索。 做什么很重要,“说什么”在这里更关键。 说什么是关键,但是最根本的是 “怎么说”。 高手过招, 反倒不是说全,说完的粗浅境界, 倒是那些意境幽远的“点到为止”。 传播的心态
怎么说,说的其实是一种心态。
不管传播什么,到最后都会是一种心态。 所以,老是会有人说, “千万不要把心态做坏掉了。” 刚写到这里,Ann姐姐就插了句, “希望今年(狗年),我把一辈子要加的班都加完了!” 然后,对面的Creative飞来一句, “老了,老了”。 对面公关活动组的女孩子昨晚12点多走的, 早上9点多又赶进公司,紧锣密鼓地筹备月底的活动。 那个看起来老老的设计组组长,加班到早上6点, 现在已经又继续趴在电脑前,似乎会这样日复一日,年复一年。 经常会听到抱怨,其实是发泄,
感觉又恍惚回到去年做公关时候的自己,似乎永远郁郁不得志,只能抱怨。 又或者, 如果边抱怨、边卖力地加班,那么无数的抱怨就成为一种炫耀。 所以,要做到真的enjoying, 其实很难。 工作的背后 所以, 工作一定要自己喜欢,因为喜欢,才会愿意这么辛苦; 工作一定要聪明,因为灵活,才会不因那些琐碎的繁事而淹没在无谓的辛苦中; 工作一定要有热情,因为热情,才会持续不断的辛苦同时,还保持着最清醒的头脑。 所以,到后来,做工作成为了一种做心态。
会很佩服那些几十年如一日天天加班到深夜,还是会很Enjoy的资深广告人,公关人,传播人。 发现自己最近的文笔越来越直白,而且也开始破天荒地讨厌电视。 “因为电视老是让你以为,你听过那个歌了,但其实你没听过;老是让你以为你看过那个人了,但其实你没看过;老是让你以为你知道灾难与死亡了,但其实你不知道。电视好像渔网,把有生命的都拦截在网子的那一边,到这一边流出来的,都只是水而已。”(摘自蔡康永《有一天啊,宝宝》) 生活永远比电视更电视,比小说更小说。 流经一个又一个风景,生命才会成为一条河。 January 10 关于女人,关于感情女人之间在涉及到感情和身体问题时,奉劝别人都是不要太有牺牲精神,但各自回到生活里又常常处理得很是大义凛然,这是让我觉得女人可爱也很可贵的品质。 - 某杂志关于女人的文章
December 25 Human Organs throat 喉 collar bone 颈骨
rib 肋骨 hip 臀部
thigh 大腿 ankle 踝关节
neck 颈 shoulder 肩膀
chest 胸腔 elbow 肘
spine 脊骨 wrist 腕关节 knee 膝盖 shin 小腿骨
heel 后脚跟 toe 脚趾
teeth 牙齿 chin 下巴
eye 眼 eyelid 眼盖
ear 耳朵 eyelashes 睫毛 cheek 脸颊 eyebrow 眼眉毛
mouth 嘴 forehead 额头
longue 舌头 waist 腰
lip 嘴唇 finger 手指
thumb 大母指 belly 肚 skeleton 骨架 skull 头颅
brain 脑 intestines 肠 heart 心 liver 肝 kidney 肾 stomach 胃 lung 肺 tongue 舌头 the shin bone 胫骨
the thigh bone 股骨,大腿骨 (femur)
shoulder blade 肩胛骨
mandible 下鄂骨
还有什么老师常提到的单词,大家来补充吧:)
P.S. Excellent yoga blog recommended:
December 18 Yoga life for every moment 前天走到新天地太平湖边的时候,
发现树上已经挂满了圣诞的彩灯,
缤纷的灯光映在闪闪的湖面上,美丽耀眼。
10月到12月,算算在Y+已经练习了整整两个月的Yoga,
最喜欢的是那个四面都是宽敞亮堂的玻璃房,
在酣畅淋漓感受Yoga的同时,
还能享受窗外绚丽的风景,
无声的静谧中体味这眩光流离的独特风景。
这是一种fashion的yoga魅力。
而复兴路的Y+又是另外一番风景。
疏密相间的梧桐叶下,有些斑驳的老洋房。
塔塔走上二楼,古朴的唐卡,镂空的花窗,
是另一种静谧的classic yoga。
开始体验,
每一次的呼吸,每一个拉伸,每一个停顿,
都是一次竭尽的伸展,都是一种极致的探索,都是一种无限的冥想。
渐入佳境时,
听导师轻轻道出,Yoga的最高境界不过就是
休息、呼吸--专注的休息,专注的呼吸。
休息时也是在yoga,每一次深深的呼,深深的吸,都是一次yoga修行。
心中念到“无剑胜有剑”,
于无声处,处处都是一种yoga修行。
TO BE CONTINUED… November 30 When east meets west- WE Magazine West fuse with East,East meets West.
The focus is Asia, but the approach is international. This is what WE magazine labeled itself,
what Kevin Lee always striving for since he founded this WE in 2001.
WE is about sharing, bridging total different culture of the two worlds,
you always can not imagine how surprise
when Ayumi Hamasaki wearing shinning crown, Japanese costume,
but with Hello-Kitty accessories, while using modern mobiles.
when Linda Evangelista wearing a long black embroidered Chinese qipao, still with her apathy eyes.
when Zhang ziyi, wearing shinning white camellia over the whole-black dressing,
above is the glamour title of "Chinese DIVA".
That special edition named: Chinese Generation.
Remember Kevin Lee said,
For readers who are both influential and affluent,
Global in vision, but individual in taste. So permite me to conclude, still with the simple but meaningful name of the magazine:
This is a WE magazine.
November 06 舍得的爱 无怨的青春 (台湾)
在年轻的时候 如果你爱上了一个人 请你 请你一定要温柔地对待他 那么 所有的 时刻都将是一种无瑕的美丽。 若不得不分离 也要好好地说声再见 也要在心里存着感谢 感谢他给了你一份记忆 长大了以后 你才会知道 在蓦然回首的刹那 没有怨恨的青春才会了无遗憾 如山冈上那轮静静的满月 September 26 选择,经历,成长 周日走进中山公园那个巨大无比的Shopping mall里面,
懒散地坐在那个巨广阔无比的图书馆的第二级台阶
读那个巨搞笑无比的蔡叔叔写的书
”有一天阿,宝宝“
心情很悠闲。
这个蔡叔叔,蔡康永叔叔,
他的红遍半边天的”康熙来了“我却完完全全没有看过,
而现在,我决定去看懂这个玩转娱乐圈的人,从这本很可爱的书开始。
“几乎所有的人,都是在还没有准备好的情况下,就开始我们的人生了。很奇妙吧?吞感冒药前多少会先看一下服药需知、搭火车前多少会先看一眼时刻表的我们,会这么莽撞地就开始“活”了。我们哭了,才知道这就是伤心;我们跌倒,才就是爱知道这就是痛;我们爱了,才知道这就是爱…… 如果有人坚持要为你解说人生,坚持他握有唯一的“正确答案”,宝宝,你听听就好,不要太当真,你也知道,他们自己的日子不一定过得很好,他们必须以“指导员”的身份活,才活得比较有把握。” - 序
“我发现大家并不是对所有名人谈恋爱的事都感兴趣。比方说,大家对做生意的人的爱情就不很感兴趣,除非当事人刚好长得很好看。大家对做政治的人的爱情也不感兴趣,除非当事人刚好长得很好看。或者,除非这些人的恋爱是“丑闻”。
说穿了,随便闹小小的恋爱新闻,也能受注意,是明星才有的特权,不是随便哪种名人都玩得动的游戏。
为什么啊?跟大家的生活根本没有实际关系的、这个明星和那个明星恋爱了的事,为什么永远都这么吸引人?
难道,仍然是那个我们从小就相信的,公主和王子从此幸福生活在一起的向往吗?
原来我们一直都这么固执的、硬要把美丽和爱情绑在一起,像我们小时候翻看的一本又一本画满美丽插图的爱情图画书那样,我们其实仍然偏好孩子气的爱情,不要掺杂钱财、地位,这些大人才考虑的事,我们只想祝福花朵般的美丽恋情。
真的吗?宝宝,这么鄙俗的宣传手法的背后,支撑着的,是这么单纯的向往啊!我几乎有一点伤感了。” -“这种新闻”
“宝宝,在你长大的过程中,会不由自主地加入一堆莫名其妙的比赛,你会被培养出胜负心,会一不小心就用成功和失败去区分别人。
这一点也没关系。我也仍然是有胜负心人。只是,如果胜负之类的事情,开始让你不快乐了,开始让你怀疑你的存在了,或者,开始让别人不快乐和起怀疑了,那时,再听见警铃的声音就很够了。
等你长大,你就知道所有那些为了考试考前三名、为了夺这个那个比赛的冠军所花费的汗水和泪水,恐怕灌概不出一朵花啊。”
- 还是典礼
“明星啊,就是一直被宠着的一群小孩。做的全是小孩做的事,唱歌、跳舞、打打闹闹、说笑话、扮家家酒、演警察抓小偷、演新郎新娘、穿得漂漂亮亮出去玩、永远要吸引大人的注意、永远要让大人觉得人生好多乐趣,觉得还没到手的东西都值得伸手去抓抓看。大人用很多很多钱、很多尖叫和赞美、宠溺这些小孩,小孩努力地逗大人开心,但也常常闹脾气、要糖吃;闹完脾气,又怕大人不再喜爱他们。
‘永远长不大“是明星存在的意义,也是明星存在的方式。如果有明星愿意依照真实世界的法则、长大、负起责任、操心生活、使用折价券,终于变得蓬头垢面、鸡皮鹤发,那当然令人有点安慰,但恐怕更多的人会觉得残忍和扫兴吧。明星犯的错,都是孩子气的错,说谎、打架、喝醉、乱搞、花离谱的钱、买没用的东西、不顾做人的道理、闹个天翻地覆。” - 大家的小孩
“宝宝,我为什么一直对电视很有戒心,是因为电视老是让你以为,你听过那个歌了,但其实你没听过;老是让你以为你看过那个人了,但其实你没看过;老是让你以为你知道灾难与死亡了,但其实你不知道。
我每次在现场感动得要命的事,后来再透过电视看到的时候,根本感觉不出来是同一件事情。电视好像渔网,把有生命的都拦截在网子的那一边,到这一边流出来的,都只是水而已。
亲爱的宝宝,将来如果有你喜欢的歌手,你要想办法去听他的现场演唱会,去跟其他和你一样喜欢他的人在一起。你不知道那个歌手会有名多久,你也不知道他会愿意活多久。你只能趁他还在的时候,让他变成你回忆的一部分。
有些人的生命没有风景,是因为他只在别人造好的、最方便的水管里流过来流过去。你不要理那些水管,你要真的流经一个又一个风景,你才会是一条河。” - 演唱会 ………………
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